Picking up Stitches

Christmastide is winding down and real life is waiting patiently on the doorstep.  After Epiphany, we will take the denuded tree out to the woods to compost and turn our attention back to the busy-ness of life.  And there is a growing to-do list.  Life keeps on going, despite our festal suspension of time.

Diaconate classes have resumed, and there are assignments to be completed.  And an ordination celebration to begin planning.

The farmhouse is ready for kitchen and bathroom fixtures to be installed – just as soon as the new floors are in.

Before Christmas, I began designing each of the rooms to maximise space and natural light, and collecting some inspiration.  There will be considerable thrifting and building and painting and curtain sewing to be done.

Goats to be bred.  Pigs to go to the processor.  Seeds to be ordered.

A perpetually neglected workbasket to be seen to.

EZ style longies back on the needles. I love those vintage colours. And say, there's that calico I'd been looking for. Isn't it pretty?

Curriculum to be compiled or written from scratch from notes jotted hastily on handy bits of paper and filed not-so-carefully in a crate.

New work projects to give time to, some that have been waiting for their time to come for several years.  For them, it would appear, the time is now.

How is it, then, that we’ve managed to find the time to be planning space in our bedroom for the bassinet?

A basket full of {washable} merino being knit into a receiving blanket. Just right for the arrival of autumn babies.

So I was thinking…

…and quite a lot, about beauty.  And femininity.  And grace.  Then a couple of weeks ago, I saw a post by Katrina along the same lines.  And then I read this post and shared it with my friends on Facebook.  And there was some lively discussion about what is pretty, what is appropriate, what is modest, what is socially acceptable.

{I wrote an article for the Catholic Free Press about “Normal”, and whose standards we should be conforming to.  It was re-published here, if you’d like to read it.}

Mostly, the FB responses were from women who are also longing for a return to femininity.  And many of us agreed that we’d like to revive traditional beauty AND get some inspiration and support AND have a way to stay accountable for our collective resolution.

Now that Christmastide is winding down, I have given more thought to how I can work on reclaiming my femininity, embracing my womanhood.  At first, I was thinking just along the lines of fashion and beauty.  Then, after talking with my sister-friend Jenn, decided that a broader range of topics could be included for our collective edification.  I suddenly remembered a project outline I had jotted down last fall.  Yes, yes!  Perfect!

{Isn’t it amazing, wonderful, glorious how perfect God’s timing is?}

So, not only will we be concerning ourselves with our own appearances, but with our behaviour, our home-making, marriage, parenting, friendships…  It’s a whole package.

We’re going to try to revive some of that graceful, feminine {inner and outward} beauty and industry of our foremothers.  There will be posts to inspire you, suggestions toward changes that you can make, and probably also some tutorials.  And Family Centered Living™ will be joining in the fun as well, with articles about why we should think about all of this a little more, and how reclaiming our traditional motherhood can positively impact our families and community.

I’m working on a kind of manifesto for the endeavour (your suggestions welcome!), and then we’ll set up a page with information and a linky form.  After that, I’ll begin scheduling posts.  All you’ll need to do is post a comment after your blog post is published and the nifty little CommentLuv plugin will pick it up.

Life is full right now, so I don’t know how regular posts will be.  It’s a good idea if you subscribe to blog email notifications so you know when another has gone up.

For now, here’s a peek at the graphic:

{Renaissance Mama}


Are you excited?  Because I am SO excited.


{this moment}

{this moment} – A Friday ritual. A single photo – no words – capturing a moment from the week. A simple, special, extraordinary moment. A moment I want to pause, savor and remember. If you’re inspired to do the same, leave a link to your ‘moment’ at SouleMama for all to find and see.




We’re still in the midst of Christmastide here at Chez Gadbois.  I hope that yours is, and will continue to be, blessed!

{this moment} Trimming the Tree

{this moment} – A Friday ritual. A single photo – no words – capturing a moment from the week. A simple, special, extraordinary moment. A moment I want to pause, savor and remember. If you’re inspired to do the same, leave a link to your ‘moment’ at SouleMama for all to find and see.







Joséphine (with Caroline's help)


Glittery vintage bulb. Photo credit: Cat Gadbois


Our last Christmas at the little house…

Tutorial:: Silhouettes

{From the archives – September 24, 2007}

I fell in love with paper art when I was first married. It is an easy and economical way to decorate your home. Making silhouettes of people you love makes the art more special, even an heirloom. This type of home-art is the epitome of Simple Gifts, I think! Below are silhouettes of my three oldest children, done just before Christmas of 1999. Catherine was 7, Andrew “Jack” was 5, and Caroline was all of 3 years old.

Over sixteen years of married life, I’ve made simple birth and baptism certificates and complex pictures. But I love silhouettes because they are so personal. They are portraits, really. The lack of details like color and shading makes the portrait even more intimate. The viewer is drawn to look more closely at the shapes of the subject’s features, the tilt of the head, the chubby roll under a baby’s chin, or the way a stray lock curls.

I’m not a true silhouette artist who can cut silhouettes from life. That is a very high art indeed. I take my studies from photographs. It may take a bit more time and effort, but I think it’s worth every bit.

When I’m going to make silhouette studies, I first take profile photos, trying to eliminate as much shadow under noses and chins as possible. I have found that using a natural light photo with a strong light (like sunlight) shining right on the subject works well. Flash works best when shot at the exact same height as your subject, but sometimes it can be too much, washing out important features. The beauty of digital cameras is that you can take several shots and chose the best. It’s also extremely quick – no waiting for film. You can, of course, use an instant (Kodak type) camera, but you are limited to the image size it puts out. Be sure to maintain the exact same distance from each of your subjects so that they are in perfect proportion should you want to do a group study. A tripod is extremely helpful.

You can scale digital photos in your computer to whatever size you wish. It is helpful to print your scaled photos on card stock or matte photo paper to make the template sturdy. I chose to make all of my silhouettes the same size so that each one will fill its own frame. If I were making a family study, I would need to be careful to respect the relative proportions between subjects so that baby’s head is not larger than big sister’s.


Gather acid-free scrapbooking supplies including a VERY sharp X-acto knife. I like to put a foamy pen grip on my knife for comfort. I have arthritis in my fingers and they become fatigued very quickly without it. Choose whatever papers suit your decor. As a rule, you want to have a dark solid for the image and a lighter pattern or solid for the background. But experiment! It’s fun and you can re-use your template if you aren’t happy with the results.

Here’s what the backside of your silhouettes might look like. Be sure to mark the subject’s name and the date the study was taken. You may want to pack away your template for later use. Maybe you want to make a page with successive years’ studies of the same subject. It’s nice to do baby, toddler, child, teen. You could even make a study of your entire family and place the silhouettes together to form one family portrait. And when you get more skilled, you can use a still-life photo of your family and create and silhouette portrait!

And here is a close up of my study of Louis. Notice that lashes, curls and chubby rolls can be enhanced lending more personality to the study.

Here is another close-up of a study I’ve done of myself (my daughter Cate was the photographer). Notice that the glasses have been carefully cut out and provide some interest.

Next, you will want to trace your template onto the back of your scrapbooking paper. Most scrapbooking papers are colored on one side and white on the other, which makes the tracing very easy to see. For my project, I chose to use a black card stock, which is colored on both sides. I’ve used a light colored pencil to make my tracing. Be sure to trace the mirror image, that is, the opposite, to what you want in the frame. And make sure your pencil is quite sharp for the finest possible lines. See how nice the white templates look on black?



Carefully cut out your image *just inside* the tracing lines, paying special attention to the small bits. In fact, do the smallest bits first. It is extremely important to have a *very sharp* X-acto so that your paper won’t tear. Avoid tugging to separate the silhouette from the paper. Careful cutting will also prevent the white from peeking out from underneath. If you do get “fluff-its”, just go back and nip them off from the right side very carefully.





You will notice that my templates have a flat bottom. Your silhouettes will be much more attractive if you trace out the contour of the near shoulder and cut it away, sloping elegantly towards the chest and back.

Mount your image onto your background paper (which you will have cut to fit in your chosen frame), being careful to position it so that the effect through the glass is pleasingly even. Another rule of thumb is to leave more head-space than at the bottom. This grounds the image nicely. You can use a glue stick or mounting tape. Please do not use liquid glue of any kind, you will surely be disappointed in the results. Tip: Leaving the edges of the image free gives more dimension to your image after framing. It appears to float.


Finally, you can embellish your compositions with journaling, or elements as desired. Be sure, at the very least, to sign and date your work. It is a good idea to mark your subject’s name on the finished piece somewhere, even on the back of the frame.

If you are going to mat your work, be sure your silhouettes will fit comfortably inside and that the mat is a good compliment to the overall composition. You can also embellish your mat-board if it’s plain white or cream. My recommendation is to let the piece live in the frame for a little while first to allow the piece to speak to you. Then you will know just what to do with the mat. Of course, you may already have a clear, complete vision. In which case, zhuzh away! In the event that your mat board and backing board are not acid free, you can purchase a spray-on product to neutralise the acid.

It’s also fun to mount the silhouettes on a letter, copywork, or essay hand-written by your child or spouse. Use a copy, of course! You could use the silhouettes to decorate scrapbooks, photo albums, notebooks. They can be used to make unique name signs for children’s bedrooms, or to assign a coat hook or cubby. The possibilities are limited only by your imagination.

Silhouettes are a beautiful way to preserve a precious moment in time. Have fun, and send me pictures of your projects!

{I want to thank Monica at the Crafty Nest for linking this tutorial from a wonderful article on stencils and silhouettes.  I LOVE how she’s done her silhouettes on patterned paper!  They’re beautiful!}

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